Archive for the ‘Maria's Reviews’ Category

Maria reviews The Tower, The Zoo, and The Tortoise

Wednesday, April 13th, 2011

The Tower, The Zoo, and the Tortoise by Julia Stuart, FIC STUA

Ever since I became a mom, my tolerance for stories about young children in danger or children who have died has been zero.  So why I picked up The Tower, The Zoo and the Tortoise by Julia Stuart is beyond me.  But I think I’m glad I did.

Balthazar Jones is a Beefeater who lives and works in the Tower of London.  He and his wife, Hebe, lost their eleven year old son three years ago.  They still are grieving profoundly, and are losing their own relationship to that grief.

Then one day, the Queen’s equerry informs Balthazar that the Queen would like to move the animals that have been gifted to her from other heads of state to the Tower from the London Zoo.  She wants to boost tourist attendance at the Tower by re-establishing the Royal Menagerie, which had been housed in the Tower by her predecessors.  Balthazar is to be the Head Keeper of the Royal Menagerie.

While Balthazar feels woefully undeserving of the title, he accepts it anyway, realizing that his job performance has suffered greatly since his son’s death.  He wants to ensure his job is secure since it’s the only thing that gives him reason to get out of bed.

Couple Balthazar’s story with Hebe’s, who works in the London Underground Lost Property Office, working diligently to reunited people with their lost items, ranging from the usual books and umbrellas to a safe, a magician’s cabinet, fake eyes and even an urn of ashes.  The last prompts Hebe to finally start to deal with her grief, even if she has to do so alone.

There are wonderfully quirky characters here, such as the Reverend who writes best-selling erotic fiction as a side job, the philandering Ravenmaster and the Ravens beloved by him alone, and the Menagerie animals, each of whom has his or her own well-developed personality.  The eccentricities of all of the characters was a welcome counterpoint to the sadness.

What I thought was going to be a light-hearted farce ended up being a poignant look at longing and grief.  I almost put it down several times; the devastating anguish of Balthazar and Hebe was palpable.  But I so desperately cared for them, and for the other inhabitants of the Tower (Well, not the Ravenmaster and the Ravens.  They’re just mean.) that I needed to keep reading.  In the end, it was the right choice.

Maria reviews “Hold Me Closer, Necromancer”

Monday, February 14th, 2011

Hold Me Closer, Necromancer  by Lish McBride

For those of us who like our horror on the light side, Hold Me Closer, Necromancer is just the ticket.  Sam (short for Samhain, instead of the usual Samuel) is working at a fast-food joint while he figures out what to do with his life.  He has great friends there, but the job is crap and he knows he needs some direction in his life.  And then direction is forced upon him when scary Douglas Montgomery comes into Plumpy’s.  Douglas is mad because a potato broke the taillight of his expensive car (a potato that was being used as a puck during a street hockey game).  But he gets distracted when he meets Sam, and Sam finds his calm state to be much more menacing than his angry state.

You see, Douglas is a necromancer, and he recognizes that trait in Sam as well.  Which is news to Sam, and not welcome news, at that.  Douglas is powerful and corrupt, and having another necromancer in the area is not something he’s happy about.  And when Douglas is not happy, nobody is happy.

If you’re a fan of Christopher Moore’s horror novels (such as Bloodsucking Fiends or A Dirty Job), I think you’ll like McBride.  The ending definitely begs for a sequel, and I’m keeping my fingers crossed that she gets one out soon.

Maria reviews “As Always, Julia” by Julia Child and Avis DeVoto

Saturday, December 11th, 2010

As Always, Julia by Julia Child and Avis DeVoto, 641.5092 AS

I love Julia Child. I’ve only ever seen short clips of her iconic television show, I’ve never read her cookbook, and I don’t anticipate tackling any of the recipes. It’s not her cooking I love – it’s HER.  One might think that someone who devotes her life to the fine art of French cooking would be pretentious. That couldn’t be farther from the truth where Julia Child was concerned.

In this book, we’re privy to the beginning of Julia’s lifelong friendship with Avis DeVoto, the woman who was instrumental in getting Julia’s opus, Mastering the Art of French Cooking, published.  Avis’ husband, Bernard DeVoto, had written a column in Harper’s on the inadequacy of American stainless steel knives.  In response, Julia sent him a quality French knife.  (There’s a reason to love Julia right there.  She sends gifts to people she doesn’t even know, but who work she appreciates!)  Avis acted as secretary for her husband and cooked for their family, so she was the one to write the thank you note.  It wasn’t long before the two women proceeded from “Dear Mrs. DeVoto” and “Dear Mrs. Child” to “Dear Avis” and “Dear Julia”.

There’s much to recommend As Always, Julia. It’s a lovely portrait of a beautiful friendship between two women (who, by the way, corresponded for years before they met).  Avis and Julia were both very politically aware, and, as this was the era of Joseph McCarthy, there was much to discuss.  The glimpses into their personal lives also fascinated me.  Avis mentioned she arrived at a three days a week compromise with her housekeeper.  At first, I assumed that meant that her housekeeper wanted to work more; but then I really that Avis was the one who wanted a full-time housekeeper.  That is so foreign to my life, and the lives of most everyone I know, that it really threw me for a loop.

But through it all, the star attraction is still Julia Child.  So larger-than-life, so dedicated to her calling, so giving to others, so supportive of her husband (who I also think I love), and so willing to laugh at herself, I only wish I could have had a chance to meet her.  Since that can’t happen, I’ll settle for making her acquaintance through books.

I also recommend My Life in France, her autobiography that was completed posthumously by her grandnephew, Alex Prud’homme.

Maria reviews “Sandman Slim” by Richard Kadrey

Saturday, November 27th, 2010

James Stark is back for revenge.  Not unusual for someone whose shady accomplices exiled him and then murdered his girlfriend.  What is unusual is that Stark was exiled to Hell: the first living human to go there, and in whom the demons took unusual interest because of that.  And not a good kind of interest.  The kind that makes you need to become very good at defending yourself, very fast.

But Stark has a key that will let him travel anywhere in the universe, and he’s going to use it for the only thing that matters to him.

This reminded me a little bit of The Book of Joby, as it deals with the relationships of human, Lucifer and other demons, and God and the angels.  But Sandman Slim is a lot grittier, and will not sit well with people who want their religiously-tinged fiction very reverential.  Or even a little bit reverential.

So be forewarned; this is not for the faint of heart.  I would say it’s not overly graphically violent, although the very subject matter warrants lots of fighting and shooting.  But it questions, and not in a comfortable way, the role of God in our lives, and that may make it off-limits to some.

Maria reviews The Art of Eating In

Saturday, October 16th, 2010

The Art of Eating In: How I learned to love the stop spending and love the stove by Cathy Erway

When I once had the good fortune to spend a few days in New York City (Manhattan, specifically), it reinforced my belief that the biggest draw to big city living is the abundance of great restaurants.  I was enamored of all of the small specialty food shops, too, but wondered how much I would cook in a city where the large majority of the kitchens are smaller than my current pantry.

So when I heard about Cathy Erway’s self-imposed exile from New York City restaurants, I was intrigued.  And not only did I enjoy the book, but I actually understand why Erway was willing to give up that embarrassment of riches.

Erway started by writing a blog (noteatingoutinny.com), but this book isn’t a collection of her columns.  Each chapter looks at different aspects of her version of not eating out, which includes urban foraging, cook-offs, secretive supper clubs and freeganism (rummaging through the untainted castoffs of restaurants and shops).  She then appends a few recipes to each chapter.  I saw nothing I would want to tackle; they all have lengthy ingredient lists and presumes easier access to exotic ingredients than I have.

I like that Erway doesn’t get overly preachy about the environmental and financial savings of eating in, although they are addressed.  She misses restaurants and has to learn to date without eating out, not an easy feat in any city.  Her descriptions of invitation only supper club events and the cameraderies of cook-offs, though, is where I believe she really shines.

I’m not ready to give up eating out (although my pocketbook is encouraging me to follow Erway’s path, at least to some extent), nor am I ready to try my hand at Mexican tripe stew.  But I did add Erway’s blog to my RSS feed, and have already bookmarked her Roasted Red Pepper and Parmesan soup as a possibility for my kitchen.

Maria reviews “84 Charing Cross Road” by Helene Hanff

Saturday, August 21st, 2010

84 Charing Cross Road by Helen Hanff

84 Charing Cross Road by Helene Hanff

84 Charing Cross Road by Helene Hanff

I admit, I’m not a letter writer, but I love the idea of it.  And I love reading other people’s letter.  So 84 Charing Cross Road is a natural for me.  This book of correspondence runs from 1949-1969 between Helen Hanff, a brash writer in New York City, and an antiquarian bookstore in London.  The letters start out very business-like: “Would you have a copy of this book?”  is answered with “Yes, here it is and here is what you owe.”  The letters get a little more friendly, until Hanff breaks loose with this:

“Frank Doel, what are you DOING over there, you are not doing ANYthing, you are just sitting AROUND.”

She goes on to excoriate the everlastingly patient Frank for not finding her books in a timely fashion, and then tells him she’s sent some eggs for Easter. (Did you know the British were on war rationing into the 50s?  I didn’t!)  She finished with this,

“Well, don’t just sit there!  Go find it!  i swear i dont know how that shop keeps going.”

She never does puncture that proper British reserve, but the affection that grows between Hanff and all of the shop members is touching indeed.  This is a short book, a quick read, but one that I re-read every few years just for the chuckles I get from Hanff, for the intimate look it gives me into the life of Londoners right after the war, and the nostalgia of a day gone by wherein we would write our letters on heavy, creamy paper, and a bookstore would immediately respond by sending the book with an invoice and not require payment up front.

If you like this, take a look a Hanff’s The Duckess of Bloomsbury Street. Also, I got some of the same feel from The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer.   It also is letters between book lovers, and is also set in post-war England, a lovely little book that I also thoroughly enjoyed.

Maria reviews “The Big Over Easy” by Jasper Fforde

Friday, July 16th, 2010

The Big Over Easy by Jasper FfordeHumpty Dumpty has had a big fall indeed, and it looks like foul play. So thinks Jack Spratt, the head of the under-staffed and under-funded Nursery Crimes Division of the Reading Police Department. Jack’s getting pressure to wind up the Humpty investigation quickly, in order to make up his recent debacle trying to convice the 3 pigs of pre-meditated murder of the wolf. But the Humpty investigation is raising more questions than answers, and Jack’s whole Nursery Crimes department is on the line.

I read several of Fforde’s Thursday Next series, and I really liked them.  But (confession time) my knowledge of the classics is woefully inadequate, resulting in not getting a lot of the humor centered around Thursday.  But nursery rhymes?  I know those really well, and I loved Fforde’s unexpected treatment of the characters; the Big Bad Wolf was wronged and the Gingerbreadman is a psychopathic murderer.

I picked up the second in the series, The Fourth Bear, right after finishing The Big Over Easy and enjoyed it just as much.  Sad to say though, that The Fourth Bear was published in 2006 and I don’t see another volume in this series on the horizon.  Pick these up if you don’t mind being left with an unrequited desire for more!

Maria reviews “The Book of Joby” by Mark J. Ferrari

Wednesday, June 2nd, 2010

bookofjobyThe Book of Joby by Mark J. Ferrari

Sometimes I’m reluctant to read books suggested to me by other people; especially people whose reading tastes I’m not already familiar with.  And if the book is big (this one is 638 pages!), I’ll hesitate even more, given that I get about 15 minutes of reading time on a good day.  But something made me take the plunge anyway, and I’m hear to announce to all and sundry that if my young friend Mary suggests another book to me, I’ll jump in with both feet.

The basic premise is simple.  The Creator and Lucifer enter into a wager, similar to one they’ve had many times in the past, one upon which the continued existence of all Creation hinges.  If one person, agreed upon by both parties, willingly turns to evil within the time span of the wager, the Creator agrees to wipe out all creation and remake it according to Lucifer’s instructions.  That person is Joby Petersen.

When we meet Joby, he’s a young child and his head is filled with thoughts of honor, nobility, chivalry and bravery, all engendered by a book of Arthurian tales left to him by his grandfather.  He’s smart and charismatic and it’s easy to see why the Creator chose him as his champion.  But the terms of the wager dictate that the Creator cannot intervene in Joby’s life while Lucifer can, so the deck is stacked very deeply against our young hero.

The bad guy is crystal clear, of course, but his tools not necessarily so.  Father Richter believes that in preaching absolute purity to Joby, he’s doing the Lord’s work.  He’d be devastated to find out that he’s doing more harm than good.  Even some of the good guys are surprised by how much they’re willing to bend, if not outright break, the rules.

And I love the relationship between the Creator and his angels, Lucifer included.  He shows humor and forbearance, but also a tendency towards trickery, when warranted.  This is not a vengeful Creator; it’s a patient Creator who created angels and humans out of pure love.

As much as I love fantasy, I do get tired sometimes of the unremitting goodness of the good guys and the ceaseless badness of the bad guys.  I like some reality in my fantasy; no one is all good or all bad.  Ferrari does a beautiful job of mixing that up a little bit, even attributing some noble intentions to the baddest baddy of all, Lucifer.

Other suggestions:  If you read and enjoyed Christopher Moore’s Lamb, I think you’ll enjoy this as well.  If you like this, I’d recommend Lamb to you, but with some caution, as Lamb is much more ribald.

Maria reviews The Bauhaus Group

Wednesday, January 27th, 2010

The Bauhaus Group: Six masters of modernism by Nicholas Fox Weber

Last fall, during Global Gathering Germany, architect Christopher Wegscheid gave a talk on the history of the Bauhaus school of Germany.  While it’s not something I would have normally gone to, I arranged for the talk and I personally know Christopher.  I knew it would be an entertaining presentation, regardless of whether or not I had an interest in the subject.

Well, I was right.  It was fascinating.  And so when I saw a review for The Bauhaus Group: Six master of modernism by Nicholas Fox Weber, I had to read it.  I have to tell you, it took me weeks to finish it, but I’m glad it did.

The Bauhaus was born, lived and died during such a tumultuous period of Germany history that its mere existence holds interest for me.  I think Weber did a great job of conveying the ideals of the Bauhaus.  Ornament obscures; the beauty of an object lies in its form.  Industry and art are not mutually exclusive.  Appreciate anything that is very well-done; a well-played sport is preferable to a poorly-performed play.

The biographies of these six players (Walter Gropius, the founder of the Bauhaus, Paul Klee, Wassily Kandinsky, Josef and Anni Albers, and Mies van der Rohe) are rife with drama, politics, brilliance, pettiness, and, always, a love of art and creativity.  They make for riveting reading.  What made this such a long haul for me, however, was the extensive discussion of art theory.  Of course, that’s to be expected in a book of this type.  It’s just not something my brain wraps itself around easily.

What I was less enthusiastic about was how often Weber inserted himself into the biographies.  Most especially his coverage of Josef and Anni Albers, whom he knew personally and of whose Foundation he is now the director, was less a recounting of their time at the Bauhaus and more of their time with Weber himself.

Nonetheless, while I still cannot say that I’m a huge fan of modernism, I have a new appreciation for the Bauhaus ideals, and, I hope, will make more of an effort to see the beauty in the natural form of everything around me, as the true Bauhauslers did.

Maria reviews Scratch Beginnings

Wednesday, January 20th, 2010

Scratch Beginnings: Me, $25, and the search for the American dream by Adam Shepard

Just like almost every other college graduate, Adam wanted to see if he could make it on his own.  Unlike other graduates, Adam put himself to a severe test.  He gave away everything he owned, picked the name of a city out of a hat, and bought a one-way ticket to Charleston with $25 in his pocket.  He gave himself one year to to have $2500, a working automobile and a furnished apartment.

I love the premise of this; it was a good read, and very interesting.  But Shepard still comes across as demeaning to the people he means to be celebrating (for example, telling the busdriver he’s no one special even as he applauds the man’s initiative in being cheerful and friendly every day – as if the driver is cheerful and friendly in spite of being no one special, instead of because of it.)  It may be this relatively easy for a single, young, healthy man to make something of himself, but those with illness or disabilities, or those with children will still have a much harder time.  I think I need to read Nickel and Dimed: on (not) getting by in America by Barbara Ehrenreich to get the other side of the story.